Consolidated Mess
Installation, Reclaimed wood, cardboard, contact paper, reclaimed furniture, burlap, netting, ribbon, air force pins, found ephemera, WWII era photographs, Afghan war rug, sound, Glazed ceramic, mixed media, Curated artworks and objects from veterans and their families, social practice 2022, Marin Moca, Novato, CA
An interactive artist residency and exhibition at Marin MoCA, informed by the Hamilton Airfield historical archives housed at the Hamilton Field History Museum in Novato, California.
Lexa Walsh: Consolidated Mess is an interactive artist residency and exhibition responding to the Hamilton Airfield historical archives housed at the Hamilton Field History Museum (HFHM) in Novato, CA. Sited in the base’s original war room, which played a significant role in readying aircraft and crews for overseas combat during World War II, the project’s title draws from the base’s common space—the mess hall—which brought together all factions of the military for general convening, discussion, and the sharing of meals. I am interested in the complexities of war: how do we find value in some wars over others, who is valued, and how does this value change with time?
Inspired by the HFHM’s collection of mess hall menus, trophies, awards, military decorations, and Women’s Army Corps (WAC) memorabilia, I created an immersive environment riffing on the base’s renown as the “country club airbase” which acts as a ‘clubhouse’ for a fictitious female veteran of WWII. Her character is revealed by my choices of decor and ephemera, informed by interviews with veterans, yet leaves room for the viewer to envision possibilities about her persona. The clubhouse is a space for listening and storytelling, including a sound component that invites visitors to listen to interviews with veterans and others affected by war conducted during my residency at MarinMOCA.
Objects accompanying the installation include a large series of my ceramic and mixed media military ‘decorations’ and a selection of artworks and memorabilia contributed by participating interviewees. I've curated a 'show within the show' from interviewees, veteran and combat artists Fanny Garcia, John Rogers, Ehren Tool, John Wehrle and Marcy Voyevod. Initially conceived during the United States’ retreat from Afghanistan, ongoing conflicts in Yemen and Ukraine have only amplified the importance of these conversations in our polarized times.
I hosted two events related to the exhibition as well: a ceramics workshop with artist and combat veteran Ehren Tool, and a Tea Talk with veterans and others to discuss the following questions: Where is the line between defending your beliefs and tolerating others’? What is a recipe for preventing war? What is a recipe for healing from war?
Listen below to interviews with the following veterans and their families, and others affected by war.
Lexa Walsh
Clubhouse, 2022
Reclaimed wood, cardboard, contact paper, reclaimed furniture, burlap, netting, ribbon, air force pins, found and borrowed ephemera, WWII era photographs, Afghan war rug, mixed media, sound, social practice
In background: works by Ehren Tool and Fanny Garcia
Lexa Walsh
Medals for
The Victims & Survivors of The War on Drugs
The War on Terror
The Culture Wars
The War on Women
The Covert Wars
and The Forgotten Wars, 2022
Glazed Ceramic and Mixed Media
Listen
If you, too, have been affected by war and would like to share your thoughts and experiences, please contact me.
Lexa Walsh
In Honor, 2022 (detail)
Medals for
Perseverance
The Women in the Military Who Experienced Sexism
The Connectors and Resisters
Sergeant Major Lowe
The Children Who Survived
PCF Monica Smith
Betty Reid Soskin
Captain Phil Encelmo
CWO Charlie Joiner
The Iraqi People
Glazed Ceramic and Mixed Media
Lexa Walsh
Decoration, 2022
Glazed ceramic and mixed media
Foreground:
Ehren Tool, USMC
56 of Thousands, 2022
Stoneware
Ehren Tool has made and given away more than 25,000 cups since 2001
Background:
Screenprints by Fanny Garcia
John Wehrle
Former Lieutenant, US Army. 1964 -1966
War and Peace ( detail, five of 13 pieces), 1987
Painted wood
Reflection on the relationship of War to the media created 20 years after service.
Two sketchbook page copies from combat art tour RVN, 1966
Original sketchbooks in collection of US Army Historical Division
Drawing of wounded soldier, basis for painting “Purple Heart”, collection US Army
Combat Artist Cap
Col. John H. Rogers, USMCR
Keep Movin’, 2004
Bronze
Dedicated to the NCOs who’ve kept things moving when needed
Events
Tea Talk, November 5 2022
Tea Talk, November 5 2022
Ceramic Cup Workshop with Ehren Tool, September 25, 2022